LRRecords Studio – pics up! Studio Open!

 LRR studio

from ‘littlerascal':

Righto Folks – here it is…! – some pics of the ‘little rascal’ studio..Its a humble affair, but it sure works well! Link to our flickr gallery to view pictures of the build progress..

note: As you can see in the pics, I have yet to give the studio a pro paint job..Besides this and installing permanent lighting this week (temporarily using lamps), and some skirting boards – every thing is done.. I figured” Lets just set up the gear and make some noise!! its the last quarter of 2012!! I don’t need the paint job and the skirting boards done to make good music, they can wait. I do plan to install an adjustable (use when needed) vocal booth soon…

So its time to get into making and releasing some music..from the ‘littlerascal’, other artists on LRRecords and more! …stay tuned.

Will also get round to updating a studio page at .

BASIC SUMMARY: Built into the inside of  a typical Aussie Colorbond back-yard shed , the LRRecords studio is a one room, large control room type setup which includes a PA, dj table setup, drum machines and samplers, electronic drums, pro soffit mounted monitor speakers, pro vocal microphones and bass rig. We utilise both digital and analog recording gear, software,  hardware and FX. For detailed list of gear go here and to contact us regarding studio bookings and biz:


Thankyou to my beautiful family, Casey, Ruby and pets for supporting & putting up with me – planning, building and now playing in the ‘littlerascal’ studio, trying best to be living my dream as well as trying my best to be a good daddy, carer and partner! Thankyou T.Froggy & G.Froggy for being supportive, tolerant and loving to me and the studio and for the back shed to convert into a music recording studio !! Thankyou to our nieghbour and official ‘tradie’ GROGGY for helping with building the main building and the lend of a few crucial tools! Thanks dad for some advice and much needed trailer,  timber and excellent 16mm gyprock wall sheets. Thanks to all those that also donated other bits of material, equipment and tools to help build this studio. A special  BIG UPS to sista-in-beats Skahna for some excellent studio donations and for living the dream in Melbs. Thankyou to all other studio builders using the internet to share valuable experience, information, resources and pictures, especially those at John Sayers’ Recording Studio Design Forum. Thanks google sketchup software for helping me design and dream and plan the studio (for prob a little too long). Thanks Quokka Classifieds Newspaper for providing the adverts to the bargains I found almost every thursday for a whole summer of material collecting. Thankyou to all those in the future whom will use, visit and enjoy the studio and those whom will promote it..Thanks to those friends, family and fans that have been following this project with interest – Thanks to all those that have faith in the ‘little rascal’.

Dexcell – Face The Music EP

Posted on 8th September 2012 by Brett Caporn (LRRecords) in dnb,dubstep,labels,music,reggae,release promo - Tags: , , , , ,

“Some big tunes here folks from a producer working it,…dropping on Mastermind Records” –  ‘rascal recommended’


Dexcell – Timebomb

Dexcell – Scramble

Dexcell Array (Feat Proton)

Dexcell – Decoy




Out 9th  September on Vinyl and Digital Downloads.


After the success of Dexcell’s first single with Mastermind Records (‘Believe’), which gained worldwide support on TV, radio, dance floors and festivals, Dexcell have now come forward with a new release which displays  to  their many fans that they are still deeply rooted in the underground production world. With bookings at  festivals across Europe and the UK, a number of remixes for major labels and over ten million youtube views, Dexcell are well on their way to becoming a household name. The ‘Face The Music’ E.P is already making waves in the Drum and Bass world, proving that their production is on par with the elite as well as showcasing their tight Dubstep production skills. This EP is the next step on their journey with Mastermind; with their debut album in the works, this EP shows that fans can expect a lot more from this phenomenal trio in the near future. So keep your eyes peeled.


The lead track on the EP, Timebomb, has already received extensive coverage on stations such as BBC 1 Xtra and on packed dancefloors worldwide, and it is easy to imagine why. The track begins with a seductive pad which is rich and warm in texture, and the short stabs of heavily reverbed and delayed synth create an ambient feel. Tribal drums, although not a prominent feature in the intro, add to the mystical texture Dexcell creates. The track itself consists of a bruising and dirty heart wrenching bassline over a rolling breakbeat, and this bleak,  forbidding sound becomes a fundamental aspect of Dexcell’s production throughout the EP. The drum sequencing is given further layers through the use of more tribal drums, and unlike many Drum and Bass producers, Dexcell avoids over relying on a simple, repetitive loop.


Scramble is the second track on Dexcell’s ‘Face The Music’ EP, and draws strongly on dance floor and roots reggae influences while retaining the thundering basslines and driving kick patterns that makes Drumstep such an appealing genre to ravers. Reggae is a genre that many drum and bass producers utilize, but rarely as effectively as Dexcell does here. The drum rolls and synth’s create a sound similar to that of dancehall artists  such as Movado, which leads into an explosion of Drumstep turmoil driven by pistol-crack snares and anarchic bass. This in turn leads into a fully-fledged Drum and Bass sequence, and introduces a more menacing bass sound. The interesting use of west- coast style synths over the breakdown reveals Dre style hip-hop influences; this and the dancehall vibe introduced from the opening makes ‘Scramble’ a multi-dimensional Drumstep hit that will interest fans of many genres of urban music.


The penultimate on the EP ʻArrayʼ showcases the new direction taken by the artists in pursuing a draker and more underground vibe. The intro offers an almost melancholic string section that, coupled with the heavily reverbed pads, create a sense of uncertainty. Unlike many producers, Dexcell employs a much more restrained take on the drop, which is subtle and suits the track perfectly. The bassline is not overdone either; it is simple and repetitive, avoiding the overly heavy basslines that are commonplace in many energy rich Drum and Bass  of today, while remaining effective and prominent. The drum sequencing also differs from conventional Drum and Bass in that Dexcell’s choice of snare resembles more of a clap; this helps create a dillinja-esque vibe that  seems to be coming back to the forefront in a number of established current producers. Overall, Array  presents the listener with a sinister side of Drum and Bass, that is both innovative and captivating.


The final piece on the EP is a Dubstep track, ʻDecoyʼ more conventional in the sense that it is more or  less  a relentless wave of hard basslines and even harder drum sequencing that is sure to smash raves across the country. However  Dexcell’s  use  of  spacey  synths  and  awe-inspiring  pads  give  the  track  another  dimension;  while  it  is undoubtedly a ruthless and aggressive track, it is unsettlingly melodic in parts. The drop is so sudden that the listener is not prepared for it, and is brought from an ominous yet harmonious bell-like sound and dragged straight into an intense wall of heavily distorted wobble basses and snare drums. Coming from producers that are better known for their Drum and Bass, Decoy exhibits Dexcell’s versatility and ability to make club smashers in both the Dubstep and Drum and Bass world.


Words By Tom Bletso

Mastermind Records Ltd


No Hero by 1shot on MP3 and WAV at Juno Download

Posted on 3rd September 2012 by Brett Caporn (LRRecords) in affiliates,dubstep,music,release promo

No Hero by 1shot on MP3 and WAV at Juno Download.

This week we recommend some fine dubstep on Yeah Boi Recordings – ‘rascal recommends’